Showing posts with label Toons. Show all posts
Showing posts with label Toons. Show all posts

Tuesday, 31 March 2015

MUMU JUJU


  MUMU JUJU IS OUT AND ITS HILARIOUS  
 

Fans of Etubi Onucheyo and his fantastic colouring style may yet get an 8 page dose of what the Nigerian digital painter and now creator has in store with Mumu Juju. read the first INSTALMENT after the cut

Mumu juju is a story of two friends who are on regular adventures together. In this episode they battle glowing zombies and discover treasures that may cost them their lives. Reminds of you the asterix comic books in a way. Check it out

Downlaod and read HERE

DARK EDGE 5 REVIEW


  THE INTRO  It was almost 2 years since the last issue was printed so the excitement was high when I heard that the next instalment of he DARK EDGE franchise was going to be out at the 2013 edition of the LAGOS COMIC CON. However like I have always been since the fourth instalment came out I was again disappointed when the comic did not come out. Somehow this has been the tradition of the comic title since it launched in 1999 with its black and red cover A5 sized comic. I had to wait just 2 more months and the news popped up again on the internet that the fifth instalment of the comic magazine was coming out. I was again excited but this time with caution as I went to the February edition of the Emperors groove hosted monthly by the same publishers, Imperial Creation Studios, to pick up a copy.



 THE PLUS  
And I was not disappointed. The cover concept which was a collage of the two most prominent characters of the 12 part maxi-series comic title and a new entrant called SEDAKE posed on the cover as a reflection in the mysterious bronze blade called the Daggax. The direct imaging printing also brought some good quality to the book and it was worth buying. The graphics all through the comic was on point and I particularly liked the CSR initiative page that advocated that children should be left as children and not sent f early into marriage. The recap of the last 4 editions was also a brilliant idea as after two years many people would have begun to forget he story. The drawing were on point as Ibrahim Ganiyu and Babajide Olusanya depicted the characters and the mood very well. The story written by Ayodele Elegba was impeccable and at a point I almost cried as it reminded me of the good old days when comic stories actually had plots, good dialogue and suspense. I mean what we have nowadays is just cool and action, action, action.

The story was well woven as the interchanging of scenes all through the film made the Dark Edge world more real and believable. This issue focussed more on story than art and I for one think this is a good thing. We need more good stories in today's comics. Should I tell a bit about the story? Well, the story continues with Azim still trying to find himself after saving Peju Owonla. We are also taking back stage into Adeyemi Mapayanfigbas family and we see that the rich definitely also cry and have several skeletons in their cupboard. And I mean that literally. I think I should stop there.

 THE MINUS  
The downside for this comic book apart from the part that it took two years to read was the art and the colouring. You would think after waiting for two years you would see some bad ass art and colours. However the art was just above average and the colours where too bright and was more for a children's illustrated book rather than a dark toned comic franchise like DARK EDGE. The colours where done by three people Stanley Obende, Raphael Kazeem and Mary Momoh so I guess this most have contributed in the contrast colouring style in several of the comic pages. I think the price was also a downside for me. For a 22 page comic book (and 6 pages of advert), I think N 700 ($4) was just too much. If I wasn't a comic fan and had waited so long to see it, maybe I would have decided otherwise on buying. In my opinion I feel the 6 pages of advert should help cover the cost of production hence lower the unit price.

 FINAL NOTE  
Well, I didn’t have any regrets even with the high price. I didn't feel as if I was ripped off or anything like that. I enjoyed the comic book and I read it like three times. This is very unusual for me. This I must say is the second best in the five edition history of the comic book and I was glad to have reviewed it. I would recommend that you go buy. The comic is very durable and should be in your comic library. 

Courtesy: Comicpanel.org

Review Summary
 Comic Book
 Review Ratings
 Reviewers
 Dark Edge 5
 75%
 Kpoto Comics
 Dark Edge 5
 88%
Observatory Tower 
 Dark Edge 5
 90%
Mangafrique Comics 
 Dark Edge 5
 80%
Comic Panel 


REVIEW: URBAN WARRIOR/CETIC CLAN #1 MATCH-UP



  BY DAVID O LEARY  

Punt Press must be lauded in their efforts in teaming up with companies around the world combining The Celtic Clan with various other super teams. The latest cross over comic featuring the Irish superhero team comes out of Nigeria in this instance with the first issue of Urban Warriors/Celtic Clan #1.

The Urban Warriors are products of Empire Comics, a company based out of Lagos, Nigeria and created by the Morah brothers, artist Francis and writer Michael. Launched in February 2010 with a #0 issue, the Urban Warriors has built up a loyal following and both publishers have to be praised for bridging a considerable gap by producing the first Irish/Nigerian crossover comic.

Honestly, I was delighted that the book didn’t descend into the usual cross over fare of the two teams meeting, fighting and then coming together to bring down a common enemy early in the story as seems to be the norm in so many cross company books. Morah and Flood bring a big amount of build up in the issue and the two teams only meet in the final scenes even though threads of the story could have dictated an earlier meeting. It also made sense having The Citizen be the focal character, as he is the one most clouded in mystique, is a total bad ass and one that you want to see stories revolve around.

Without giving too much away about the plot the story being broke down into two distinct acts came off great in no small part because of good planning with the first half of the book being based mainly in Ireland before the story moves to Africa for a coming together. With some nice pacing and tension especially in the Nigerian scenes, you can see how this book can make good on its sci-fi and superhero influenced potential.

The art in the book is by Francis Morah. Though in parts the art was a little loose Morah does have a good grasp of pacing and layout and it makes up for any shortcoming by being a serviceable read. The two aforementioned acts in Ireland and Nigeria open up with a picture/art mash up of each country that was quite eye catching before Morah took on full art then.

The book comes with several pin ups and the back of the issue and will be released digitally in August with print copies available in November. This also will not be the only crossover comic to feature the Clan either, with a planned cross over coming out of the US with Advent Comics planned for later this year with the huge COSMOS crossover event.

Culled from www.irishcomicnews.com

REVIEW: DARK REBB #1



 DARK REBB #1 PACKS THE PUNCH AND BULLETS. 
The colour and art style is what first of all takes your breadth away when you open the pages of the very first issue of the DARK REBB comic book. Very creative indeed and different from anything being displayed currently on the Nigerian Comic Scene.




The use of electrifying red in most of the comic and even on skin tone gives it an eerie ambiance that wants you to start reading. DARK REBB #1 kickss off with the first page where we see a group of under world criminals scuttling to secure some explosives out of their ware house. From their discussion its obvious that Dark Rebb had been causing them a whole lot of trouble and such talk of her only brings more panick and…DARK REBB herself rides in from no where into the second page and wreck mayhem and destruction upon the criminals. But it seems that she is not after the small fries tonight “It seems this is going to take longer than I expected” Dark Rebb said. “No sign of METAL JORK here, just a bunch of SADOWA orporation MAGGOTS”

With a swift of her guns, DARK REBB takes them all down except one from whom she was able to get some vital information. Meanwhile in satellite town another set of thieves argue over sharing their loot and POW once again the might DARK REBB crashes in through the door and takes them out but only to be interrupted by another goon, ZELBARTER. Its not clear the relationship between this new guy ZELBARTER and DARK REBB but all we know is that they both start chatting away and shooting together as a team even though their dialogue suggests that they don’t know each other.

“Who are you? Because you don’t look or sound like a cop to me” DARK REBB asks pointing her gun in Zelbarters face.

“Its advisable you putt down your gun, young lady” ZELBARTER responds with his gun sticking right up DARK REBBS nose. The six page preview copy ends with Dark rebb and Zelbarter shooting the armed robbers like too jolly partners from another comic title.

"Dark rebb" #1 is an uneven and underwhelming debut, reading more like a trigger filled, kill all type of comic book. The reddish look of the comic actually prepares your mind for what you are about to see however the story telling seems to fall short of what is expected of a preview comic. We do not see a deep sense of characterization and the heroe seems to float all through the 6 pages without us getting a feel of who she is and why she does what she does, And we still don’t know who METAL JORK is?

However the art is on point and the layout very impressive as the story flows from panel to panel and page to page without a disconnect.

It’s an action packed fun read comic.

Dark Rebb is published by OEVAL comics. Story and Art by John Supremoz, Graphics by Hothands studios, editor: Millicent Elekwach and the Cover page was drawn by Michael Okoroagha.
 

DARK REBB hits the internet in December so watch out!


 Courtesy: 

Comicpanel.org

REVIEW: FARAGON DELIVERS LAGOS HUMOUR LIKE NEVER SEEN




AGX STUDIOS recently launched its free comedic comic to the online platform and we laughed all the way through. Read the full review below 

 INTRODUCTION 
The comic packs the humour you can imagine in an 11 page comic book. The Faragon story is about the young Solo who leave his native town for Lagos in search of greener pastures. The comic is in a narrative form as Solo guides us through his experience of coming to Lagos for the first time. The comic is written in broken and has a lot of humour. Solo gets to Lagos and he boards a bus so he can meet up with his friend. The story takes us through the humours and struggles in Lagos especially for a first timer like Solo


 PLUS 
The comic has a good story plot and is a good read for anyone who has lived in the city of Lagos. The use of the “pidgeon” English gives the comic book a uniqueness of its own and the pacing of the story makes FARAGON atrue page turner calling the reader to want more. The cliff hanger at the end of the story is also very much on point. The graphics is also okay as the word ballons and sound effects are well represented. The art is also okay. Its not the type of art you reference from but it fits perfectly well with the kind of humour the story brings. The colour style is also good as the publishers adopted the old school type pixalating colours usually found in comics from the 70’s.

 MINUS 
Though the art fits in well in the story, there are several instances where the laws of anatomy are defiled. Also the way the comic was paneled could be better. Yes the comic is in pidgeon but there are still some typographical errors and pidgeon English errors noticed

 OVERALL 
Well overall we will give FARAGON a 70%. Its definitely a comic worth your while.


Courtesy: Comicpanel.org

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